All Emanuel de Witte Oil Paintings

(1617 - 1692) was a Dutch perspective painter. In contrast to Pieter Jansz Saenredam, who emphasized architectural accuracy, De Witte was more concerned with the atmosphere of his interiors. Though few in number, de Witte also produced genre paintings. De Witte was born in Alkmaar and learned geometry from his father, a schoolmaster. He joined the local Guild of St Luke in 1636. After a stay in Rotterdam, he moved to Delft and studied with Evert van Aelst. In 1651 de Witte settled in Amsterdam where his first wife, Geerje Arents, died in 1655. He then married a 23-year-old orphan, Lysbeth van der Plas, who exercised a bad influence on de Witte's adolescent daughter. In December 1659 both were arrested for theft from a neighbor.Lysbeth, pregnant, had to leave the city for a period of six years; she lived outside the city walls and died in 1663. Following the arrest of his wife and child, de Witte was forced to indenture himself to the Amsterdam notary and art dealer Joris de Wijs, surrendering all of his work in exchange for room, board, and 800 guilders annually. De Witte broke the contract, was sued by the dealer, and forced to indenture himself further as a result. Several patrons provided de Witte with support, but these relations did not work out well, for he tended to shout at his clients and at people watching him at work in churches. Records tell of his gambling habit and a fight with Gerard de Lairesse. According to Arnold Houbraken, after an argument about the rent, de Witte hanged himself from a canal bridge in 1692. The rope broke and de Witte drowned. Because the canal froze that night, his corpse was not found until eleven weeks later
 

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Emanuel de Witte Interior of the Niewe Kirke in Delft with the Tomb of WIlliam the Silent oil painting


Interior of the Niewe Kirke in Delft with the Tomb of WIlliam the Silent
ID de tableau::  81082
Interior of the Niewe Kirke in Delft with the Tomb of WIlliam the Silent
c. 1653 cjr
c. 1653 cjr
   
   
     

Emanuel de Witte Interior of a Church oil painting


Interior of a Church
ID de tableau::  89776
Interior of a Church
second half of 17th century Medium oil on wood cyf
second half of 17th century Medium oil on wood cyf
   
   
     

Emanuel de Witte Interior of a Protestant Gothic Church oil painting


Interior of a Protestant Gothic Church
ID de tableau::  96219
Interior of a Protestant Gothic Church
1668(1668) Medium oil on canvas Dimensions 98.5 X 111.5 cm cyf
   
   
     

Emanuel de Witte View of the Tomb of William the Silent in the New Church in Delft oil painting


View of the Tomb of William the Silent in the New Church in Delft
ID de tableau::  97656
View of the Tomb of William the Silent in the New Church in Delft
1656(1656) Medium oil on canvas Dimensions 97 x 85 cm cyf
   
   
     

Emanuel de Witte Interior of the Oude Kerk, Delft oil painting


Interior of the Oude Kerk, Delft
ID de tableau::  98445
Interior of the Oude Kerk, Delft
between 1650(1650) and 1652(1652) Medium oil on panel
between 1650(1650) and 1652(1652) Medium oil on panel
   
   
     

Artiste précédent       Artiste prochain     

     Emanuel de Witte
     (1617 - 1692) was a Dutch perspective painter. In contrast to Pieter Jansz Saenredam, who emphasized architectural accuracy, De Witte was more concerned with the atmosphere of his interiors. Though few in number, de Witte also produced genre paintings. De Witte was born in Alkmaar and learned geometry from his father, a schoolmaster. He joined the local Guild of St Luke in 1636. After a stay in Rotterdam, he moved to Delft and studied with Evert van Aelst. In 1651 de Witte settled in Amsterdam where his first wife, Geerje Arents, died in 1655. He then married a 23-year-old orphan, Lysbeth van der Plas, who exercised a bad influence on de Witte's adolescent daughter. In December 1659 both were arrested for theft from a neighbor.Lysbeth, pregnant, had to leave the city for a period of six years; she lived outside the city walls and died in 1663. Following the arrest of his wife and child, de Witte was forced to indenture himself to the Amsterdam notary and art dealer Joris de Wijs, surrendering all of his work in exchange for room, board, and 800 guilders annually. De Witte broke the contract, was sued by the dealer, and forced to indenture himself further as a result. Several patrons provided de Witte with support, but these relations did not work out well, for he tended to shout at his clients and at people watching him at work in churches. Records tell of his gambling habit and a fight with Gerard de Lairesse. According to Arnold Houbraken, after an argument about the rent, de Witte hanged himself from a canal bridge in 1692. The rope broke and de Witte drowned. Because the canal froze that night, his corpse was not found until eleven weeks later

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